A Cinematic Public Service Announcement

In the 17 months that we’ve written about the movies for this blog, the four of us have seen countless films, arguing over many, partly seeing eye-to-eye over some, and agreeing unequivocally on a few.

This is one of those few.

The hype over James Cameron’s Avatar has been building up steadily over the past several years, reaching fever pitch over the past few months. Avatar has been touted as an event movie of epic proportions, and the “one” that will change the way that films are made in the future. Now that we’ve all had a chance to see it, we wanted to share our excitement with you as a group, because the four of us feel so strongly about Avatar that we feel that it’s one of THOSE movies that anyone who considers himself/herself a fan of the movies really ought to go see.

Below, you’ll find our individual comments on the film.

“Twelve years is a long time to wait for anything, but James Cameron has made it more than worth the wait. AVATAR is unlike anything you have ever seen before. It’ll dazzle your senses, melt your eyeballs and pin you to your seat. It immerses you in a world up until now you only thought you could see in your dreams. In short, AVATAR is the reason they make movie theatres. If you want to see the future of film making converge with the best that modern story telling has to offer, get your butt to a theatre NOW!”
--Chris W.

“My girlfriend didn't want to see it. This isn't anything new when it comes to her feelings on movies involving fantasy. But she was adamant that it looked stupid. Fortunately, I had a coupon that was a gift from her, stating she'd go to a movie she didn't want to see. I knew we were in for a treat, and wanted her to experience it too. By the end of the movie, she was on the edge of her seat, gripping my arm with suspense and enjoyment all in one. I simply ate my popcorn, grinned with satisfaction, and enjoyed the rest of my Christmas present.

James Cameron consistently delivers fascinating stories, classic characters, amazing worlds, and he does it while raising the standard for not only the technology that he's using, but also how those effects should be used. You are emotionally involved with the world and characters you are introduced to, as if you are in an Avatar yourself. It's Dances with Wolves with a little bit of The Matrix, and the hottest and most badass version of Pocahontas you will ever see. This movie has heart, and I love it. If you haven't seen it, you are crazy. If you haven't seen it twice, sell something so you can see it again. And if you haven't seen it in IMAX 3D, then you don't know Pandora. For those of you that have done all of the above, ‘I see you.’"
--FilmNinja

“Avatar is something not seen very often – a film that delivers on concept, story and craftsmanship. James Cameron promised that with Avatar we’d be visiting another planet and, while watching the film, we are. The astounding thing is that, in 2D, you are invested in the story of Jake Sully & the Na’vi people, but, in 3D, you are walking on Pandora with them. Avatar is a film that cannot be missed on the big screen, and, no matter what exhibition format you see it in, Cameron will take you into a story that you will cheer for.”
--Megan
“It’s no surprise that I’ve been somewhat skeptical about Avatar for the past several months. The first trailer was somewhat unimpressive, and while the second was better, my doubts still remained as I sat in the theater last weekend. Over the course of the next 2 hours and 40 minutes, my cinematic mind was blown. Sure, the script could have used another pass, but I found myself in a strange place. I just didn’t care. Cameron’s use of visual effects is second to none and Pandora is one of the most distinctive (and beautiful) environments I’ve ever seen in a movie. Look, I’ll just say it: if you miss seeing Avatar on the big screen, you might regret it for the rest of your life.”
--Adam

If you go to see only one movie the rest of the year, let that movie be Avatar.
-Chris W, FilmNinja, Megan, & Adam

FotM: So, ya coming?

With each passing year, we travel farther and farther away from that time in our life when “grown-up” was an evil word we could put off thinking about, each moment was filled with promise, and stories had an extra tangible quality to them as though they might leap out to snatch us away.

Christmas has a unique power over many of us. It’s the one time each year when we just might have a communal moment with all of the Christmases of our other years. I remember the year I got a guitar for Christmas, and the year I selfishly thought I hadn’t gotten enough gifts. In a way, they all stack up, and on this one special day, we have a chance to see them all dangling in front of us again.

Five years ago, I was a very different person. I was a first-year college student navigating through the “big switch” from one institution to a markedly different animal. If only I’d known how strange the transition from life as a college student to life as a graduate would be. . . I might have had a few words for myself.

In 2004, I remember first seeing an advertisement for The Polar Express. I’d never read the famous book the film would be based on, but I had an inkling that it’d be one I wanted to see. So, before Christmas rolled around that year, I took my 12-year old brother and set out to see the film.

The first theater we went to had sold out, so we, resolute and undeterred, set out to find another. On our second attempt, we were successful, and we sat down and watched the film together in a crowded theater.

The Polar Express is a ground-breaking film that marked the first time that “performance capture” had been used to create an entire animated feature film. Previously, the technique of putting sensors on an actor’s body to put their movements into a computer for digital recreation had been used to a lesser degree by filmmakers like Peter Jackson and George Lucas. However, this film marks one of the first times time that performance capture was used to this degree, allowing Tom Hanks to play 5 different characters with a remarkable degree of realism.

Additionally, The Polar Express marks Robert Zemeckis’ first experiment with performance capture, an experience that has proved to be a major turning point for him as an artist. Since 2004, Zemeckis has made two other films, Beowulf and A Christmas Carol, both of which are animated films using performance capture.

With all this talk of matters of technicality and precedent, I don’t wish to make The Polar Express sound like it’s a history lesson of a film. It’s not.

The Polar Express is a magical movie, the kind that makes your heart swell, puts a big smile on your face, and makes you wish that you could be a child again. For a symbol, the story uses kids in that strange in-between of knowing that the world is bigger and more complicated than they’d imagined but wanting things to stay simple to tell a tale of faith. Not religious faith, or the belief that a specialized way of living is somehow more correct or appropriate than another, but the kind of faith that encourages, uplifts, and reminds one to look for the magic present in the everyday.

And it’s wonderfully exciting. The journey to the North Pole is one filled with danger and excitement. I still remember sitting in the theater as the train careened like a roller coaster, feeling like I was, in some weird way, on it myself. The best stuff in the movie, for my money, takes place when they get to their destination. This version of the North Pole is highly industrial, a corporation, if you will, with Santa Claus as a benevolent version of Bill Gates, albeit one without a voice like Kermit the Frog’s. The elves have terrific personalities, and the scene where the kids listen in on the decision process as to what exactly constitutes a spot on the “naughty” list just might be my favorite.

As I look back over the five years that have passed since that day, a lot has changed. I’ve grown older. My life is very different in certain ways and exactly the same in others. But every year, around Christmas, I put on The Polar Express and am reminded of the magnificent years of youth and the promise present in a moment. In this time of uncertainty and a markedly existential angst, a movie about a train bound for the top of the world on Christmas Eve goes a long way.